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Chicago's Line-Up in Fall Promises Active Film Battle

Jones, Linick & Schaefer and Balaban & Katz Preparing—Have All Loop Houses—Expect Bigger Pictures

Source: Variety, 30 June 1922, pg. 37.

The tom-tom of the opposing interests, Jones, Linick & Schaefer and Balaban & Katz, rumbled through the week, which mingled itself with definite plans of procedure for the coming season, being put in immediate practice. As predicted for the coming inevitable battle. These are the only two movie firms in the loop that really count up to any importance, as they control the strategic movie houses.

While conditions throughout the country on the film situation have thrown a startling scare into house owners, few cities have actually been faced with the situation of like nature that is predominating Chicago. Things are developing with a rapidity that is of greater momentum than ever anticipated. Last week the movie pulse beat faster with the announcement of Jones, Linick & Schaefer transferring the lease of their Randolph to the Universal-Jewel interests and J. L. & S. acquiring the Paramount franchises for Chicago, with a four-week pre-release showing, for 5 years.

Conflicting announcements by the opposing forces have been given to the press, which is a thing that is yet to be threshed out by the picture people and the movie house owners. The exact status of progress this week with the press announcements made are given in detail. Jones, Linick & Schaefer made it public that their new McVicker's is to show only Paramount films. It was labeled as the most important movie event of the season. The program of the Famous Players (Paramount) calls for 75 photoplays, of which J. L. & S. has the chose of 52. The importance of this merger is more fully realized when it is known that they (J. L. & S.) are the only holders of an exclusive franchise from the Paramount, as most cities have three or more franchise holders. The McVicker's is being completed with as much rapidity as is possible, with three shifts working eight hours each to keep up with the schedule for the opening about September.

J. L. & S. Would Quit

As these facts came to light, it also developed that Jones, Linick & Schaefer, holders of a string of loop small movie houses, are angling to dispose of these loop movie houses, and retain only the Rialto, which is playing vaudeville with a feature picture. The Rialto does not come under any of their negotiations as to exclusive showing with distributing companies, and this gives them a free lance on any independent films. They will also retain the McVickers and Randolph. However, it became known that the Bijou Dream, one of their small movie houses, was leased to a commercial firm and that firm will not use the building for theatrical purposes. This goes into effect within the next 60 days. Next to the Bijou Dream is the Orpheum, another J. L. & S. holding, that usually gets the feature picture after they have made its first showing. The balance of the holdings of Jones, Linick & Schaefer consists of loop houses: Alcazar and Rose, a few doors next to each other; the Boston, wrecked for a church being put up on the property; and the Lyric, a few doors next to the Rialto. These smaller theatres have not proven to be a paying proposition, and it is the intention of the owners to sub-lease them if possible. The Bijou Dream was Jones, Linick & Schaefer's for a 99-year long-term lease. In numbers these owners have an upper hand in the loop district. Criss-cross in the same edition of the dailies in which the stalemate appeared of Jones, Linick & Schaefer, is an outline from Balaban & Katz of their policy as to their intention of operating their latest acquisition, Asher's Roosevelt, a block from their Chicago theatre. The Roosevelt, according to the announcement, will close Wednesday (tonight) and undergo a series of changes, redecorating and refurnishing, to conform to the B. & K. idea of how to make a theatre a paying thing.

The factors decided upon were that the Roosevelt will run feature pictures only of the nature of the premier film, "Orphans of the Storm," which will inaugurate the new regime July 1. Pictures of this nature will only be used angling to have them get a longer run, surrounding the picture with musical accompaniment and presentations, similar to the successful policy in force at the Chicago. B. & K. look forward upon the Roosevelt as a separate unit in their chain of theatres, and expect to present the feature films at very low prices. With this announcement of policy, the B. & K. interests, it seems, have a great advantage inasmuch as they will be the only ones to present colossal specials for extended runs at low prices. All other theatres, according to announcements so far, will operate on a weekly changing of films basis.

This decision of policy may be sufficient to turn the house over to a profit on the year. The confliction [sic] in announcement by the opposing interests in Chicago's loop is that the press quotes A. J. Balaban as saying: "The coming season will see more big, good pictures than ever before in film history. From the First National, Paramount and Metro and other studios are coming pictures.... etc." The reference to Paramount is where the hitch comes in, and from this angle more may be heard. The statement refers further to the fact that their Chicago could not be used for the specials to be shown at the Roosevelt, as it is already established in the public's mind that the Chicago operates on a basis of a new program every Monday, regardless of the success of the film being shown. The theatres operated by the Balaban & Katz interests consists of the Chicago and Roosevelt in the loop, and Tivoli, Riviera and Central Park theatres, in neighborhood sections.

Bidding for Fans

Each faction has important handicaps over each other, and the question seems to be which firm or theatre owners can draw the movie lovers. But certain conclusions can be made from the above and that is that it apparently seems it will be compulsory for the movie patrons to travel to the loop (downtown) in order to really get the benefit of the battle that is raging between Jones, Linick & Schaefer and Balaban & Katz. It also means that it appears inevitable that the movie public will be obliged to visit two theatres where they formally visited one, as the exclusive rights of both firms prevent any other movie house from getting a break.

The public, from indications, will benefit materially from the announced plans, but is also seems that it will be necessary for them to wait until fall, so the question, as far as the public is concerned, arises as to what should they do for movie entertainment between now and then. The grosses speak most clearly of their dissatisfaction of present films being shown at all houses, so it is a foregone conclusion that the weeks that lapse between the fall and the present are going to be very lean ones for the movie theatres.

The proximity of the "big four" theatres, Balaban & Katz's Chicago, a half-block away from the J. L. & S.'s Randolph, B. & K.'s Roosevelt, and J. L. & S.'s McVicker's, offer a colorful touch to the situation, as all of them are almost around the corner form each other. With the strengthening of these theatre owners' holdings, the film studios will be obliged to ally themselves with either of the above interests. From the foregoing it is easily seen that Jones, Linick & Scheafer have a greater releasing power that may also prove an important factor in the impending skirmish. Predictions may be made, but there are too many angles to the Chicago situation to bank on.

[End of news article]



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Page compiled: 8 April 2001

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